Feb 26, 2024–Feb 26, 2024 from 6:30pm–8:00pm
In this talk, Ramírez will set forth an introduction to brown artistic practices that put neo-colonial and liberal reason in crisis. Furthermore, he seeks to think about the paradoxical relationship between contemporary art and indigeneity as a creative entanglement that reshapes the repertoires of art history and museum collections.
Pablo José Ramírez is a curator and an author. He is a curator at the Hammer Museum and co-curated Made in LA 2023: Acts of Living together with Diana Nawi. He was the inaugural adjunct curator of First Nations and Indigenous Art at Tate Modern (2019-2023). Ramirez was a co-curator of the 19th Paiz Biennale: Transvisible and part of the curatorial team of the 58th Carnegie International. He is the co-founder of Infrasonica, a leading curatorial platform for non-Western sonic cultures. He holds an MA in Contemporary Art Theory from Goldsmiths University of London.
Feb 26, 2024–Feb 26, 2024
from 6:30pm–8:00pm
SME 149, Structural & Materials Engineering Building
Registration for this event is required
by .
Visit the registration page for details.
Free
Nick Lesley • nlesley@ucsd.edu
Faculty, Staff, Students, The General Public
Visual Arts